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              <text>1924-1933</text>
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              <text>Sailors, queer men</text>
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                <text>Adonis-Lounge</text>
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                <text>Bar</text>
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                <text>The Adonis-Lounge was a dingy dive bar that was in operation between the years 1924 and 1933.  Sailors and queer men often frequented it, women and straight men were never seen at the establishment. It had a very dark atmosphere, so much so that it was often referred to as "the Pits."</text>
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                <text>Gordon, Mel. 2000. Voluptuous Panic: The Erotic World of Weimar Berlin. Feral House. California: Los Angeles. https://monoskop.org/images/4/44/Gordon_Mel_Voluptuous_Panic_2006.pdf</text>
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                <text>Weimar era Berlin, Germany</text>
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                    <text>Collage picture from "Elsa Conrad - Margarete Rosenberg - Mary Pünjer - Henry Schermann" by Claudia Schoppmann</text>
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              <text>Collage picture from "Elsa Conrad - Margarete Rosenberg - Mary Pünjer - Henry Schermann" by  Claudia Schoppmann</text>
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              <text>1927-1933</text>
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                <text>Club Monbijou (Monbijou des Westens)</text>
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                <text>Lesbian Bar</text>
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                <text>A lesbian club within the Mali und Igel bar. It was opened by Elsa Conrad sometime in 1927, and closed in 1933 when Nazi Germany started a campaign to close all homosexual bars and clubs. The club (Mali und Igel) and the bar were both managed by Elsa Conrad (also known as Igel) and her friend Amalie Rothaug (known as Mali). It was a lesbian club that was highly exclusive; it was only possible to get in with an introduction. Monbijou des Westen had a membership of around 600 people at its peak. It catered to the rich, intellectual elite of Berlin lesbians. One notable guest of this club is the actress Marlene Dietrich.</text>
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                <text>&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Lesbians_in_Nazi_Germany"&gt;&lt;span style="font-weight: 400;"&gt;https://en.wikipedia.org/wiki/Lesbians_in_Nazi_Germany&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://sexualityandholocaust.wordpress.com/wp-content/uploads/2018/09/claudia-pc3bcnjer.pdf"&gt;&lt;span style="font-weight: 400;"&gt;https://sexualityandholocaust.wordpress.com/wp-content/uploads/2018/09/claudia-pc3bcnjer.pdf&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Weimar era Schöneberg, Berlin, Germany</text>
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                    <text>Mikado Bar</text>
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                    <text>A black-and-white image of the Mikado Bar - chairs, tables, pictures on the wall.</text>
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                    <text>The Baroness</text>
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                    <text>A black-and-white image of “The Baroness” who sung while crossdressed at the Mikado; in the image, the Baronesss is crossdressed as a woman in regal costume, much like Marie Antoinette.</text>
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                    <text>Monatsrose - Lotte Lehman, 1926</text>
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                    <text>A recording of the song sung by the Baroness at the Mikado, sung here by Lotte Lehmann in 1926.</text>
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                    <text>1926</text>
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              <text>&lt;strong&gt;Key People:&lt;/strong&gt;&lt;br /&gt;Sir Willibald von Sadler-Grün "The Baroness" - supposedly the first person to cross dress at the club (like Marie Antoinette) and it began to stick&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Demographics:&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;“female cross-dressers to the Mikado” &lt;/span&gt;&lt;a href="https://www.thesmartset.com/article04190901/"&gt;&lt;span style="font-weight: 400;"&gt;The Smart Set&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;“The people who ran these venues used images and code words, such as “mondän” (the German world for “worldly” or “sophisticated”), to reach LGBTQ people.” (&lt;/span&gt;&lt;a href="https://adventuresintimeandgender.org/stories/the-club-history/"&gt;&lt;span style="font-weight: 400;"&gt;ATAG&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;“for trans women there was the legendary Mikado off Friedrich, raging strong since the imperial era” (&lt;/span&gt;&lt;a href="https://trickymothernature.com/insideout1.html"&gt;&lt;span style="font-weight: 400;"&gt;TMN&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;“sex workers thirty and up hanging outside the Mikado” (&lt;/span&gt;&lt;a href="https://trickymothernature.com/insideout1.html"&gt;&lt;span style="font-weight: 400;"&gt;TMN&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;)&lt;br /&gt;&lt;/span&gt;</text>
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              <text>1907-1933</text>
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              <text>Puttkamerstraße 15 – Kreuzberg</text>
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                <text>Mikado was a famous club where costume balls were held for trans (and cross dressing) women. Outside the club was also a known location for sex workers to wait and meet up with people. One of the first crossdressers at Mikado was someone called Sir Willibald von Sadler-Grün (better known as Baroness) where she arrived at the club “done to the nines like Marie Antoinette”, and sang a song written by a closeted German diplomat. &#13;
&#13;
Under this source there are two still pictures and one audio file. &#13;
The first picture is an image of the Mikado Bar [black and white, chairs, tables, pictures on the wall].&#13;
The second picture is an image of “The Baroness” who sung while crossdressed in this institution [black and white picture of a person who is crossdressed as a woman in regal costume, much like Marie Antoinette].&#13;
The audio file is a recording of the song sung by the Baroness, sung here by Lotte Lehmann in 1926.</text>
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                <text>&lt;p class="no-space"&gt;&lt;a href="https://trickymothernature.com/insideout1.html"&gt;On the Clinics and Bars of Weimar Berlin&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://transreads.org/wp-content/uploads/2024/03/2024-03-14_65f2f3223d8f8_QueerIdentitiesandPoliticsinGermanyAHistory18801945ClaytonWhisnantZ-Library.pdf"&gt;Queer Identities and Politics in Germany&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.thesmartset.com/article04190901/"&gt;Weimar Club-Hopping&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://adventuresintimeandgender.org/stories/the-club-history/"&gt;Social Spaces Beyond the Institute: The Eldorado&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="https://www.jstor.org/stable/23269669?seq=1"&gt;&lt;span&gt;"We Too Deserve a Place in the Sun": The Politics of Transvestite Identity in Weimar Germany&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Weimar era Kreuzberg, Berlin, Germany</text>
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                <text>Eldorado</text>
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                <text>Eldorado was one of THE bars/nightclubs in Weimar Germany for the LGBTQIA+ scene. </text>
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                <text>&lt;a href="Wolff, Sierra. 2023. “Celebrating Queer Joy in 1920s Berlin.” Illinois Holocaust Museum. June 5, 2023. https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/.  &amp;zwnj;"&gt;Wolff, Sierra. 2023. “Celebrating Queer Joy in 1920s Berlin.” Illinois Holocaust Museum. June 5, 2023. https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/. &amp;zwnj;&lt;/a&gt;&lt;a href="https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/"&gt;&lt;/a&gt;</text>
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                <text> This club appears in the Steve Jones Knox Archives Collection (Box 6, "Sergey" magazine, page 53, "Red Ribbon Rave" advertisement).</text>
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SO36. Accessed February 21, 2025. https://www.visitberlin.de/en/so36. </text>
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                <text>Damenklub Violetta was one of the most popular lesbian clubs in Weimar era Germany. It was well known for their correspondence club that allowed women to get in contact with each other.  It was one of if not the first club to hold a night welcoming to trans people.</text>
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                <text>“Lesbengeschichte – Biographical Sketches – Lotte Hahm.” n.d. Accessed February 26, 2025. https://lesbengeschichte.org/Englisch/bio_hahm_e.html#Anchor-hahm-7528.&#13;
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                <text>The Scala programme was all about artistic excellence, with one performance following the next. The famous “Scala Girls” – the house’s revue dancers – shared the stage with comedians, acrobats and actors who displayed their talents in elaborately staged sets. International stars were jumping at the chance to be part of the show. The Spanish star clown group The Rivels also performed at the Scala in 1927.</text>
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The Nazi SA officer Wolf-Heinrich Graf von Helldorff was ousted from his position when it came out that he was a visitor to this club</text>
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                <text>The Monocle-Bar was one of three prominent transgender-inclusive bars in Weimar era Berlin, alongside its peers Silhouette and Mikado Bar. Remembered of those three as being popular with actors, the Monocle, along with its peers, rose to popularity later into its years of operation as the much more popular trans-inclusive Eldorado grew a reputation for pandering to heterosexual thrill-seekers. The Monocle especially was liked by those who felt the scene was becoming too crowded due to its "militantly gynocentric" attitude: as recounted in Mel Gordon's Voluptuous Panic,  "A hefty female transvestite at the door [...] holding a riding crop in one transgendered hand [...] made certain males did not enter." However, like many other popular clubs at the time, Nazis were known to have made their way inside - most notably Wolf-Heinrich Graf von Helldorff, who was ousted from his position as a head SA officer after it was found he frequented the Monocle. Members of its cabaret act recall him, drunk, heckling them with requests to play the Horst-Wessel-Lied.</text>
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                <text>“Gay Berlin Institutions.” &lt;em&gt;Queer Berlin Landkarte. &lt;/em&gt;www.google.com/url?sa=t&amp;amp;source=web&amp;amp;rct=j&amp;amp;opi=89978449&amp;amp;url=https://sites.lsa.umich.edu/weitergeben/wp-content/uploads/sites/1016/2023/03/Gay-Berlin-Institutions-Sample-.docx&amp;amp;ved=2ahUKEwj5kLn0g-OLAxXjpIkEHcSYBYYQFnoECCEQAQ&amp;amp;usg=AOvVaw01a57IA45zFjH5dqAfemCy.&lt;br /&gt;&lt;br /&gt;Harrison, Ted. “‘alter Kämpfer’ Im Widerstand. Graf Helldorff, Die NS- ...” &lt;em&gt;Institut Für Zeitgeschichte,&lt;/em&gt; 1997, www.ifz-muenchen.de/heftarchiv/1997_3_2_harrison.pdf. &lt;br /&gt;&lt;br /&gt;Schoppmann, Claudia. 1996. &lt;em&gt;Days of Masquerade: Life Stories of Lesbians during the Third Reich.&lt;/em&gt; Columbia University Press.</text>
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                <text>Styled like a sprawling art deco living room where guests must take their shoes off at the door, Kwia Berlin is a deeply unique gay bar, and a significant step away from the Berlin clubbing scene of both the 1920s and the 2020s alike. Branding itself a "queer ambient bar", Kwia draws from Japanese "Jazz Kissa" cafes, in which jazz is played at a listening volume, meant to be appreciated rather than used as background noise. While Kwia's focus is not solely on jazz, it remains deeply on music - between its far more mellow vibes than other clubs and this musical focus, Kwia boasts a surprisingly wide range of clientele. Music fans stay in the front room, where talking is mostly prohibited, whilst those there for the atmosphere can venture into the back room, where drinks and food are served and talking is fair game.</text>
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              <elementText elementTextId="607">
                <text>Diamond, Julie. “Seven of the Best LGBTQ+ Spaces in Berlin.” &lt;em&gt;BBC News,&lt;/em&gt; BBC, 9 June 2024, www.bbc.com/travel/article/20240609-seven-of-the-best-lgbtq-spaces-in-berlin. &lt;br /&gt;&lt;br /&gt;Mickles, Kiana. “Office Hours: Inside Kwia, Berlin’s Queer Ambient Bar · Feature ⟋ RA.” &lt;em&gt;Resident Advisor,&lt;/em&gt; 2023, ra.co/features/4278.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Valerie Tumbleson</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Queer "Music Bar"</text>
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        <name>gay bar</name>
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        <name>lounge</name>
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        <name>queer</name>
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        <name>queer club</name>
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      <description>a place or location</description>
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          <name>Dates</name>
          <description>when this location was in operation [or] date of publication this institution was found in</description>
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              <text>1927-1932</text>
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            <name>Title</name>
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                <text>The Cosy Corner</text>
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                <text>Described by Happy In Berlin?, a repository for English writer's experiences of 1920s Berlin, as a "shabby gay bar in the working class district of Kreuzberg", the Cosy Corner was a frequent meeting place for downtrodden revolutionaries. However, it was also frequented by more privileged individuals, looking for cheap escapism by way of the underpaid male prostitutes working there. These figures included writers W. H. Auden and Christopher Isherwood - the latter of whom would go on to fictionalize the Cosy Corner as the 'Alexander Casino' in his magnum opus, Goodbye to Berlin. Isherwood would later retract his endorsement of this particular brand of hedonism, referring to his frequent use of the Cosy Corner's prostitutes - and his benefiting from impoverished Berlin queers as a whole - as a 'colonial situation'.</text>
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                <text>Valerie Tumbleson</text>
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                <text>“The Cosy Corner.” Happy in Berlin?, happy-in-berlin.org/the-cosy-corner/. Accessed 10 Mar. 2025. </text>
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                <text>“Gay Berlin Institutions.” Queer Berlin Landkarte, www.google.com/url?sa=t&amp;source=web&amp;rct=j&amp;opi=89978449&amp;url=https://sites.lsa.umich.edu/weitergeben/wp-content/uploads/sites/1016/2023/03/Gay-Berlin-Institutions-Sample-.docx&amp;ved=2ahUKEwj5kLn0g-OLAxXjpIkEHcSYBYYQFnoECCEQAQ&amp;usg=AOvVaw01a57IA45zFjH5dqAfemCy. &#13;
&#13;
Isherwood, Christopher. Goodbye to Berlin. Vintage Books, 2022. </text>
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                <text>Kreuzberg, Weimar Berlin, Germany</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Gay bar / Brothel</text>
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