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                <text>The Scala Variety Theatre</text>
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                <text>The Scala programme was all about artistic excellence, with one performance following the next. The famous “Scala Girls” – the house’s revue dancers – shared the stage with comedians, acrobats and actors who displayed their talents in elaborately staged sets. International stars were jumping at the chance to be part of the show. The Spanish star clown group The Rivels also performed at the Scala in 1927.</text>
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                <text>Brücke Museum</text>
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                <text>ca. 1930s</text>
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              <text>https://archive.org/details/voluptuous-panic/Voluptuous%20Panic-Erotic%20World%20of%20Weimar%20by%20Mel%20Gordon/page/n3/mode/1up</text>
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                <text>Located at Marburger Straße 13, Café Domino was a lesbian pick-up bar in West Berlin that lasted between the years of 1921 and 1930. South of the memorial church, they are known for their speciality aphrodisiac drink, “Cherry Cobbler.” The clientele are wealthy, dressed in expensive perfume and jewellery, and the men are plentiful and ignored. The café was known as the “Intimate Bar of the West.” Both lesbians and confused men attended and adored the café’s midnight shows with various themes.</text>
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                <text>Gordon, Mel. 2000. Voluptuous Panic The Erotic World of Weimar Berlin. Feral House. California: Los Angeles. &lt;a href="https://monoskop.org/images/4/44/Gordon_Mel_Voluptuous_Panic_2006.pdf"&gt;https://monoskop.org/images/4/44/Gordon_Mel_Voluptuous_Panic_2006.pdf&lt;/a&gt;</text>
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                <text>Midhani, Rory. 2022. Hier Ist's Richtig! Augmented Reality Scenes of Queer Berlin's Nightlife Past. Neu Start Kultur. Germany: Berlin. &lt;a href="https://www.rorymidhani.com/hier-ists-richtig"&gt;https://www.rorymidhani.com/hier-ists-richtig&lt;/a&gt;</text>
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                <text>"This purpose of this project is to commemorate and honor lost womyn's space--both ancient and modern. This can mean anything from lost women's colleges and schools, to lesbian bars and clubs. And everything sacred and profane in between."</text>
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                <text>Tanzpalaste Zauberflote 1916-1995</text>
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                <text>Damenklub Violetta </text>
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                <text>Damenklub Violetta was one of the most popular lesbian clubs in Weimar era Germany. It was well known for their correspondence club that allowed women to get in contact with each other.  It was one of if not the first club to hold a night welcoming to trans people.</text>
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                <text>“Lesbengeschichte – Biographical Sketches – Lotte Hahm.” n.d. Accessed February 26, 2025. https://lesbengeschichte.org/Englisch/bio_hahm_e.html#Anchor-hahm-7528.&#13;
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              <text>Martin Kippenberger is the main and most long standing owner of the club, having ownership from 1979 to the early 2000s.</text>
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              <text>Oranienstraße 190, Kreuzberg</text>
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              <text>Drag queens Gisela Sommer and Inge Borg host Kiezbingo monthly at SO36.</text>
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                <text>SO36 is a famous club in Berlin named after the address where it is located. This club was considered the heart of the punk scene for a time &#13;
and it still hosts a variety of events and concerts. While not a strictly gay institution has SO36 has hosted a variety of queer events including &#13;
the monthly party "Gayhane", drag shows, and Cafe Fatal ballroom dancing. </text>
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                <text> This club appears in the Steve Jones Knox Archives Collection (Box 6, "Sergey" magazine, page 53, "Red Ribbon Rave" advertisement).</text>
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                <text>“SO36.” Wikipedia, February 3, 2025. https://en.wikipedia.org/wiki/SO36. &#13;
"SO36" Instagram, Accessed February 21, 2025. https://www.instagram.com/so36_club/?hl=en &#13;
SO36. Accessed February 21, 2025. https://www.visitberlin.de/en/so36. </text>
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                <text>Cold War era West Berlin, FRG/BRD; Modern Berlin, Germany</text>
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                <text>The oldest lesbian café in the city. At one point it featured an all-male cabaret, for lesbians only. Its atmosphere was "easygoing [and] somewhat faded", with blacked-out picture windows (to hide the interior from prying eyes) and large restaurant-style booths with padded chairs; its clientele mainly consisted of "married" lesbian couples, many of them older women, conversing over coffee while a gay duo performed pop music on violin and piano or accordion. Occasionally social dances or box-steps would be danced. Men were tolerated in the establishment and sometimes danced with the femmes/&lt;em&gt;Mädis&lt;/em&gt;, always requesting permission first from the Mädis' "Daddies"/&lt;em&gt;Bubis&lt;/em&gt;/butches. (Gordon 2006, 280)</text>
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                <text>&lt;a href="https://www.google.de/url?sa=i&amp;amp;url=https%3A%2F%2Fsites.lsa.umich.edu%2Fweitergeben%2Fwp-content%2Fuploads%2Fsites%2F1016%2F2023%2F03%2FGay-Berlin-Institutions-Sample-.docx&amp;amp;psig=AOvVaw1xSRdUGkTPQEJ21XGxnu__&amp;amp;ust=1740687508791000&amp;amp;source=images&amp;amp;cd=vfe&amp;amp;opi=89978449&amp;amp;ved=0CAYQrpoMahcKEwjo9MC2lOKLAxUAAAAAHQAAAAAQBA"&gt;University of Michigan, Gay Berlin Institutions List&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Gordon, Mel. 2006. &lt;em&gt;Voluptuous Panic: The Erotic World of Weimar Berlin.&lt;/em&gt; Expanded ed. Feral House.</text>
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                <text>&lt;a href="https://www.rosawinkel.kulturring.berlin/?treffpunkt=schoeneberg"&gt;Gay-lesbian meeting places in Berlin Tempelhof-Schöneberg&lt;/a&gt;</text>
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                <text>Priscilla Lagunas and Jean Patton</text>
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                <text>Weimar Berlin, Germany - Berlin West, near Nollendorfplatz</text>
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                <text>Eldorado</text>
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                <text>Eldorado was one of THE bars/nightclubs in Weimar Germany for the LGBTQIA+ scene. </text>
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                <text>&lt;a href="Wolff, Sierra. 2023. “Celebrating Queer Joy in 1920s Berlin.” Illinois Holocaust Museum. June 5, 2023. https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/.  &amp;zwnj;"&gt;Wolff, Sierra. 2023. “Celebrating Queer Joy in 1920s Berlin.” Illinois Holocaust Museum. June 5, 2023. https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/. &amp;zwnj;&lt;/a&gt;&lt;a href="https://www.ilholocaustmuseum.org/celebrating-queer-joy-in-1920s-berlin/"&gt;&lt;/a&gt;</text>
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                <text>Verona Lounge had a pleasant, classy environment that would turn to more erotic later in the evening. That  was a place for "serious" lesbians as well as voyeuristic male artists and interested straight women.  "Gougnettes," aka, women who dressed with stylish skirts, with heavy makeup, and stylish hats, would meet here for sexual displays of domination. </text>
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              <elementText elementTextId="94">
                <text>Gordon, Mel. Voluptuous panic: The Erotic World of weimar berlin. Los Angeles, Calif, London: Feral House ; Turnaround distributor, 2008.  </text>
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                <text>Weimar Berlin, Germany</text>
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                    <text>Kaiserpassage</text>
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              <element elementId="39">
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                    <text>Walter Kyllman, Adolf Heyden</text>
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                  <elementText elementTextId="1219">
                    <text>Kyllmann, Walter. Heyden, Adolf. Berlin: Kaisergalerie (Kaiserpassage/Lindenpassage). Photograph. Google Arts and Culture. 1930. https://artsandculture.google.com/asset/kaisergalerie-kaiserpassage-lindenpassage-walter-kyllmann/XAGPUx4L_5c5_g</text>
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              <text>Friedrichstraße/Ecke Behrenstraße, Mitte</text>
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                <text>The Kaisergalerie was a passageway and building complex was full of many economic attractions, such as stores, performance venues and hotels, etc. It was also a hot spot for people hoping to solicit prostitution, as there were a wealth of sex workers who frequented the area. They were both male and female, though the female prostitutes were much more visible, while the male prostitutes (because of the stigma/illegality of homosexuality) were typically more discreet. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Image From: Kyllmann, Walter. Heyden, Adolf. &lt;em&gt;B&lt;/em&gt;&lt;em&gt;&lt;span&gt;erlin: Kaisergalerie (Kaiserpassage/Lindenpassage).&lt;/span&gt;&lt;/em&gt;&lt;span&gt; Photograph. Google Arts and Culture. 1930. &lt;/span&gt; &lt;a href="https://artsandculture.google.com/asset/kaisergalerie-kaiserpassage-lindenpassage-walter-kyllmann/XAGPUx4L_5c5_g"&gt;https://artsandculture.google.com/asset/kaisergalerie-kaiserpassage-lindenpassage-walter-kyllmann/XAGPUx4L_5c5_g&lt;/a&gt;</text>
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              <elementText elementTextId="100">
                <text>Desocio, Domenic. "Queer Berlin Maps". University of Michigan. February 26, 2025. https://sites.lsa.umich.edu/weitergeben/2023/03/14/maps/</text>
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                <text>Simmons, Sherwin. “Ernst Kirchner’s Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913-16.” The Art Bulletin, vol. 82, no. 1, 2000, pp. 117–48. JSTOR, https://doi.org/10.2307/3051367. Accessed 16 Feb. 2025.&#13;
&#13;
Smith, Camilla. “Challenging ‘Baedeker’ Through the Art of Sexual Science: An Exploration of Gay and Lesbian Subcultures in Curt Moreck’s ‘Guide to “Depraved” Berlin’ (1931).” Oxford Art Journal, vol. 36, no. 2, 2013, pp. 231–56. JSTOR, http://www.jstor.org/stable/43826014. Accessed 16 Feb. 2025.</text>
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              <text>Willy Rosen, composer of the music for &lt;em&gt;Quo Vadis&lt;/em&gt;, played piano here.</text>
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                <text>Stolpersteine in Berlin. 2022. "Willy Rosen." Last modified June 17, 2022. &lt;a href="https://www.stolpersteine-berlin.de/en/cicerostrasse/55/willy-rosen"&gt;https://www.stolpersteine-berlin.de/en/cicerostrasse/55/willy-rosen&lt;/a&gt;.</text>
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